54. ARTful Is Here: How the Book Actually Got Made

 

My book arrived, and it's been so long in the making. Not only this year that I've written it, edited it, produced it, all of the things, but a lifetime of work that I've tried to distill into something that is really practical, actionable, and funny, I hope.

The short version: for the past ten years, I've had the title of a different book in my head, and as I was working on that proposal, I realized there was a gap between who I was in that moment and the author that I am becoming. That's exactly where ARTful came into being. The ASSEMBLE phase happened really quickly; by the beginning of May I had a pretty solid first draft. The REFINE phase, working with my editor, Amy Hackworth, took so much more time, effort, and thought than I anticipated. Now I'm in the TRY phase, and I gave myself a really unreasonable deadline. A traditionally published book can take two, sometimes three years. To get this done in nine months or less was completely crazy, but it's done.

 

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ā€œI think especially creative people have this tendency to blow up their lives and start over. And we kind of feel like if something big doesn’t happen, it didn’t happen.ā€
— David Peck
 
 

In This Episode, You'll Learn

  • Why the book I'd had the title of for ten years isn't the one coming out first

  • Where ASSEMBLE, REFINE, TRY came from, and the Your Word workbook it started with

  • The warning I wrote myself in that other book's introduction

  • How a first draft came together between the end of February and the beginning of May

  • What editing actually involved: restructuring, moving stories from the front to the back, and rewriting the introduction and first chapter more times than I can count

  • Why I picked 11/11, and what nine months looks like next to the usual two to three years

  • Who I wrote ARTful for, and why it's built to be a gift

 
 

Transcript

 

Know someone who's completed one era of their life, is ready for the next, and doesn't know how to get there? Send them this one.

 
 

Key takeaways

  1. The book I'd planned for ten years wasn't the one that needed to come first. There was a gap between who I was in that moment and the author I am becoming.

  2. ASSEMBLE went fast because I didn't put a limit on it. I collected ideas from the end of February through the beginning of April and had a pretty solid first draft by the beginning of May.

  3. REFINE is where the book got made. We completely restructured parts of it, moved stories from the front to the back, eliminated some things, and I rewrote the introduction and first chapter I don't know how many times.

  4. Being self-aware doesn't shorten the REFINE phase. I'm not a stranger to self-reflection, and it still took so much more time, effort, and thought than I anticipated.

  5. TRY is where the ideas become tangible: the cover, the chapters, the pop-outs, and how each section opens.

  6. A deadline can be unreasonable and still work. A traditionally published book can take two, sometimes three years; this took nine months or less.

  7. Edits over overhauls. Small, sometimes larger, intentional edits get you to a life that's reflective of you, without blowing it up to start over.

OUT NOVEMBER 11 Ā· Order a signed copy at davidpeck.co/artful

 
 

ARTful: Your Word, Your Wardrobe, Your World, A Designer's Guide to the Life That's Yours. Out November 11. Order a signed copy at davidpeck.co/artful.


 
 
 
 

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